Tag Archive for 'Beats'

Moonstarr: One Busy Cat

Moonstarr is indeed one busy cat. If he’s not busy on the phone holding things down on the biz side for his label Public Transit Recordings, the man’s hunkered down behind closed doors over his synths, drum machines, and samplers to bang out some killer beats. Moonstarr cites such diverse influences as 4 Hero, DJ Premier, and Underground Resistance. Everything he touches carries imprints of deep techno, jazz, hip hop, bossa, and broken beat, resulting in tracks that step far into the future. And it’s not like people haven’t noticed. Ever since Moon’s dropped the now-classic Dupont EP, he’s received love for his work the world over.

Continue reading ‘Moonstarr: One Busy Cat’

Trevor Walker featured on the cover of Ottawa XPress

trevor walker

One of Ottawa’s longest running DJs, Trevor Walker, made the front page of the Ottawa XPress today and boy, does he deserve it!

He’s been blending beats in Ottawa’s top nightspots since the late ’80s, witnessing the birth of new wave, acid jazz, Hip-Hop, House and Techno from the disc jockey’s pulpit.

Read the article on Trevor Walker entitled <i>Dancing to a different drummer: Ottawa’s beat shepherd steps into Timekode</i> as featured by Ottawa XPress, July 17th, 2008

Jesse Dangerously: Halifax rap legend

The video for Jesse Dangerously’s “Righteous Badass (Fester’s 45s Mix)”. Directed by Heather Harkins, featuring appearances by Wordburglar, Tacktishon, EMC, Hermit, Spesh K, Dexter Doolittle, Y Rush, Kool Krys, Uncle Fester, Heartz, Ambition, Demikz, DJ Anderoc, Darla Kitty, Rachelle Goguen, Rezvillain, Beat Mason, Dridden.

Jesse Dangerously has been making rap for more than half of his 28 years. He has released five solo albums, and toured Canada and the US. A devoted fan of 1988 to 1994 “golden era” hip hop, Dangerously’s influences include the lilting hyperspeed of Chip Fu; the pop culture whirlwind of Das Efx; the indigence and unabashed political overtones of Public Enemy; the intricate rhyme schemes of Lord Finesse; and the cocky arrogance of teenaged LL Cool J or Fresh Prince. After carving out a place for himself in the Halifax hip hop scene, Jesse has recently relocated to Edmonton.

You can pick up Jesse Dangerously’s albums here, and I suggest you do - he’s got fantastic style, great lyrics, and some really killer beats (check out the video above for yourself!)
JESSE DANGEROUSLY: Verba Volant JESSE DANGEROUSLY: Inter Alia JESSE DANGEROUSLY: Eastern Canadian World Tour 2002 JESSE DANGEROUSLY: How to Express Your Dissenting Political Viewpoint Through Origami

Jason Hodges in profile: House Music Pioneer

Hard-hitting beats with deep grooves became the signature sound for Hodges whether in the studio, on the dance floors; from local Toronto gigs, to the surrounding towns around Ontario and across Canada, Jason Hodges was growing and coming into his own.

Jason began releasing records with various Toronto labels getting his feet wet remixing and co-producing tracks with some of Canada’s talents. After many years of training and development, Hodges returned to the scene with a new energy and a new plan. Continue reading ‘Jason Hodges in profile: House Music Pioneer’

John Kong: Required Listening

Toronto. Ontario. Canada. The streets are alive with the sound of music. Ditto the clubs, lounges, restaurants, community radio stations, waBeat guru John Kongrehouses, and studio spaces. This city is bursting at the seams, mad with talented producers, musicians and DJ’s creating fresh sounds. There’s a reason for the increasing international buzz surrounding this bustling city: a music scene is truly coming into its own. Toronto based beats guru John Kong has been pushing at these bursting seams with his bare hands for years. He’s grown with the scene, DJing since the early 90’s and turning his love of jazz, soul, house and all things deep into a career that now earns him global gigs and respect. John Kong cares about music, not categories.
Witness Required Listening. Born from Kong’s desire to showcase some of the quality tunes he was hearing friends make, the collection is a snapshot of T.O.’s club-centric music scene as it stands now. John has ears to be trusted. Required Listening features all Toronto artists (with the notable exception of Ottawa’s B.A.W. Collective), and covers some seriously diverse musical terrain.
“Listen to the beats of Moonstarr or the hip-hop of Brassmunk“, exclaims John Kong, Do Right Music label boss. “They’re totally doing their own thing!

It’s the same with house and someone like Nick Holder … he has a totally unique sound. We here in Toronto may take all of that for granted, but when people from overseas hear this music, they’re like ‘This is different; it’s not what I’m used to.’ It’s totally Toronto.”

Bambi Blue

Fred Everything: True house for true Ottawa heads

How do you write about something as fun and fresh as the beats and breaks of Montreal star DJ Fred Everything? Well, for some inspiration I visited his Myspace and cranked up sample beats he had available. I went from casual head bob to full on purse-lipped, hip-waggling, seat dancing in seconds! His style, while planted firmly in the deep house genre, definitely draws from an array of influences from disco to funk and soul.

Although he’s known for his remixing, his non-mix debut, 2000’s Under The Sun, was a huge success with critics and fans alike and he has appeared on more than 100 compilations worldwide. Fred Everything has remixed popular artists such as KemeticJust, Random Factor, AtJazz, Joeski, Bran Van 3000 and Roy Davis Jr.’s classic track “Watch Them Come”. But, by far, one of the coolest things I found out when trying to get the scoop on Fred Everything is that his record label, Lazy Days Recordings, throws a monthly party at one of my favourite Montreal hangouts le Salon Daomé. This place is super chill– it looks and feels like an apartment but it’s a musical civil uprising at night (and a working studio during the day, believe it or not).

Fred Everything gets a huge thumbs up from me but hey, if you need more convincing pick up an album or two or, better yet, check him out live at a musical civil uprising near you (or, you know, follow him from venue to venue, city to city until you run out of gas or you burn out the soles of your dancing shoes):

28 Feb 2008, 8:00pm - Mercury Lounge (Ottawa, Ontario)
29 Feb 2008, 8:00pm - Lazy Days @ Jupiter Room (Montreal, Quebec)
1 Mar 2008, 8:00pm - Nuits Blanches @ Montreal CAC (Montreal, Quebec)
25 Mar 2008, 8:00pm - Nightlyfe Magazine Party WMC (Miami, Florida)
26 Mar 2008, 8:00pm - Amenti/Solid Tokyo/Lazy Days @ Beach Plaza Hotel (Miami, Florida)
27 Mar 2008, 8:00pm - Om Miami (Miami, Florida)
5 Apr 2008, 8:00pm - Ohm, Portland (Portland, Oregon)

Bambi Blue

Trans Canada Radio

THE ROOT

For those who have never had the fortune to drive it, the Trans-Canada highway is a long, slow and detailed journey. This route is rarely the fastest, but can be the most memorable way to traverse Canada.

I recently had the fortune to take the wrong turn driving from Toronto to Ottawa and landed myself on this highway. Listening to a CD of an Ottawa afro-funk band, I quickly drew the parallel between Canada’s music industry and one of the worlds longest highways. Relaxed and natural, yet constant and strong! Canada’s artists are bred to know that there is a long road that lie ahead.

TRANS CANADA RADIO is proud to celebrate Canada’s Current Cultural artists and their locations! Traveling across Canada’s vast surface and finding the best of the under and above-ground artists who are rooted in, Soul, Funk, Reggae, Beats, House, Breaks and all that afro-Jazz… and where to check them out in your favorite Canadian city!
Pack your bags! We’re going on a road trip!

Sara Ainslie (editor)




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