A unique trio, Cobblestone Jazz uses early computers and analog instruments to create pared down sounds that retain the quality of improvisational jazz within the parameters of a minimal, dance-floor aesthetic. Through a real-time exchange of musical form, language, and ideas, Tyger Dhula, Mathew Jonson, and Danuel Tate provide a continual sense of surprise and discovery for their listeners.
The influence each member has on the group sound contributes to the international success Cobblestone Jazz continues to receive. Tyger Dhula’s history as a DJ and producer of electronic music provides the necessary stylistic foundations that form the backdrop for the group’s improvisations. His ability to break grooves up into their key elements holds the music firmly within electronic music traditions. Mathew Jonson’s gifted ability to mix and compose freely, and his commitment to pushing his music in new directions is always present. Using analogue drum machines and synthesizers as his instruments, he chooses to write his parts in the moment instead of conforming to pre-configured patterns. Danuel Tate’s history as a jazz musician and performer prompted the approach to the group’s writing practices. His keyboard playing shows a rich understanding of modern harmony and melody, but like many great artists, his dedication to simplicity is what holds him in such high regard.
Since their 2002 debut release, The 5th Element, Cobblestone Jazz have received critical acclaim for their releases on IIWII and Wagon Repair. The band’s support from diverse international DJs such as Laurent Garnier, Daniel Bell, Gilles Peterson, Luciano, Josh Wink, Sven Vath, Richie Hawtin, Dan Curtin, Carl Craig, Moodymann, Theo Parrish, Joe Clausell and many others, shows the trio’s appeal is broad. They have performed internationally from Fabric in London to the Montreux Jazz Festival in Switzerland. Their music is created in one take, either culled from live performances or studio mixes, and their live shows are a representation of how they create music. These performances give audiences a fresh perspective on the genius of Mathew Jonson as well as the future of electronic music itself.
If you need more convincing to go and see this fantastic band, check this out:
“Lime In Da Coconut”
Now, go see them!
April 2008
11 Apr 2008 Rokolectiv 2008 at Preoteasa & MNAC / Romania
May 2008
07 May 2008 Nuits Sonores 2008 Nuit 1 at Ancienne usine SLI / The North, France
09 May 2008 Dissonanze 2008 - Friday at Palazzo dei Congressi / Central, Italy
24 May 2008 Movement: Detroit Electronic Music Festival 2008 at Hart Plaza / Michigan, United States of America
July 2008
18 Jul 2008 Melt! Festival at Ferropolis / Leipzig, Germany
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